Lewis Milestone was the American cinema's premier maker of war movies for three decades. He won an Academy Award for the single most honored film about World War I, All Quiet on the Western Front (1930), and made one of the most distinctive contemporaneous films of World War II, A Walk in the Sun (1945)--a notable influence on Saving Private Ryan. Still, some of his efforts were rather less than milestones, including The Halls of Montezuma. That still leaves room to accord the picture a marginal recommendation; it's well cast, competently made, and free of "Hollywood" heroics. But the hallmarks of Milestone's style--such as his syncopated tracking shots--were becoming mannerisms, and the screenplay's rhythms of personal crises set against the bigger picture of the military campaign are pretty mechanical. Richard Widmark stars as a Marine platoon leader who, having brought only seven of his men through Guadalcanal, is determined to see them safely through the next island conquest. The lieutenant was a schoolteacher in civilian life--as we see in flashbacks--and one member of his command is a former student (Richard Hylton) he helped overcome fear. Other platoon members include ex-boxer Jack Palance, trigger-happy bad boy Skip Homeier, hardcase veterans Neville Brand and Bert Freed, and Karl Malden as a philosophical corpsman. However, the most arresting performance is given by Milestone discovery Richard Boone, making his screen debut as a sympathetic colonel stuck with fighting the Japanese and fighting off a miserable cold at the same time. --Richard T. Jameson
