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African Laughter: Four Visits to Zimbabwe by Doris May Lessing
African Laughter: Four Visits to Zimbabwe African Laughter: Four Visits to Zimbabwe by Doris May Lessing
Publisher : Harpercollins
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Reviews for African Laughter: Four Visits to Zimbabwe

From Publishers Weekly
After the wars fought by black nationalists for the liberation of Rhodesia ended in 1980 and the nation of Zimbabwe came into being, Lessing was able to return to the homeland that had officially exiled her 25 years earlier because of her opposition to the white government. The distinguished novelist ( The Fifth Child , etc.) details four trips she made to Zimbabwe in 1982, 1988, 1989 and 1992 in a series of haunting vignettes dealing with facets of life there: the corruption--and achievements--of the black government, poverty, land erosion, wildlife destruction, the emergence of feminism, the death of Marxism, AIDS and the daily problems of the people as they cope with social change. Lessing's keen descriptions of the entrenched white racism demonstrated by her friends and family are as discouraging as her observations of the new mixing between the races are inspiring of hope. A powerfully written, passionately felt memoir by a writer of conscience. Author tour.
Copyright 1992 Reed Business Information, Inc.


From Library Journal
Because Lessing grew up in Zimbabwe, she has drawn upon her African experiences in many of her writings, including Going Home (1957. o.p.), the story of her return to a land still ruled by a white minority. This time, she returns to an independent Zimbabwe in 1982 to be greeted by The Monologue: white complaints about black ineptitude. Subsequent trips in 1988 and 1989 focus on black frustration with the slowness of change ("Why can't Mugabe chief of state do anything about . . . ?") as well as with corruption. A 1992 update ends the book on a somber note: economic decline, drought, and AIDS. This is quite a fascinating look at life in Zimbabwe from someone who has an intimate knowledge of the country. Af rican Laughter is highly recommended. Previewed in Prepub Alert, LJ 6/15/92.
- Paul H. Thomas, Hoover Inst. Lib., Stanford, Cal.
Copyright 1992 Reed Business Information, Inc.


Book Description
A highly personal story of the eminent British writer returning to her African roots that is "brilliant . . . [and] captures the contradictions of a young country."--New York Times Book Review --This text refers to the
Paperback edition.

About the Author
Doris Lessing was born Doris May Taylor in Persia (now Iran) on October 22, 1919. Both of her parents were British: Her father, who had been crippled in World War I, was a clerk in the Imperial Bank of Persia; her mother had been a nurse. In 1925, lured by the promise of getting rich through maize farming, the family moved to the British colony in Southern Rhodesia (now Zimbabwe). Her mother installed Doris in a covenant school, and then later in an all-girls high school in the capital of Salisbury, from which she soon dropped out. She was 13, and it was the end of her formal education.

Lessing's life has been a challenge to her belief that people cannot resist the currents of their time, as she fought against the cultural and biological imperatives that fated her to sink without a murmur into marriage and motherhood. Lessing believes that she was freer than most people because she became a writer. For her, writing is a process of "setting a distance," taking the "raw, the individual, the uncriticized, the unexamined, into the realm of the general."

Lessing's fiction is deeply autobiographical, much of it emerging out of her experiences in Africa. Drawing upon her childhood memories and her serious engagement with politics and social concerns, Lessing has written about the clash of cultures, the gross injustices of racial inequality, the struggle among opposing elements within an individual's own personality, and the conflict between the individual conscience and the collective good.

Over the years, Lessing has attempted to accommodate what she admires in the novels of the 19th century -- their "climate of ethical judgment" -- to the demands of 20th-century ideas about consciousness and time. After writing the Children of Violence series (1952-1959), a formally conventional bildungsroman (novel of education) about the growth in consciousness of her heroine, Martha Quest, Lessing broke new ground with The Golden Notebook (1962), a daring narrative experiment in which the multiple selves of a contemporary woman are rendered in astonishing depth and detail. Anna Wolf, like Lessing herself, strives for ruthless honesty as she aims to free herself from the chaos, emotional numbness and hypocrisy afflicting her generation.

In the 1970s and 1980s, Lessing began to explore more fully the quasi-mystical insight Anna Wolf seems to reach by the end of The Golden Notebook. Her "inner-space fiction" deals with cosmic fantasies Briefing for a Descent into Hell, 1971), dreamscapes and other dimensions (Memoirs of a Survivor, 1974), and science-fiction probings of higher planes of existence (Canopus in Argos: Archives, 1979-1983). These reflect Lessing's interest, since the 1960s, in Idries Shah, whose writings on Sufi mysticism stress the evolution of consciousness and the belief that individual liberation can come about only if people understand the link between their own fates and the fate of society.

Lessing's other novels include The Good Terrorist (1985) and The Fifth Child (1988); she also published two novels under the pseudonym Jane Somers (The Diary of a Good Neighbor, 1983, and If the Old Could., 1984). In addition, she has written several nonfiction works, including books about cats, a love since childhood. Under My Skin: Volume One of My Autobiography, to 1949 was recently joined by Walking in the Shade: 1949 to 1962, both published by HarperCollins. --This text refers to the Paperback edition.

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