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Bella Tuscany : The Sweet Life in Italy by Frances Mayes
Bella Tuscany : The Sweet Life in Italy Bella Tuscany : The Sweet Life in Italy by Frances Mayes
Publisher : Broadway
List Price :$15.00
Amazon Price : $10.20
Used Price : $0.54
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Avg. Customer Rating:3.0 of 5.0

Reviews for Bella Tuscany : The Sweet Life in Italy

Amazon.com
Work's still not completely finished on Bramasole, the Tuscan house that California-based poet and bestselling author Frances Mayes bought a decade ago and has been fixing up every summer since. Nevertheless, in Bella Tuscany, she goes out--in search of Italy and Italian life. The sequel to Under the Tuscan Sun is awash with sensual discovery, from Sicilian markets with "rainbows of shining fish on ice" to the aqueous dream of Venice "shimmering in the diluted sunlight." Wherever she is, Mayes celebrates everyday rituals, such as picking wild asparagus, "dark spears poking out of the dirt ... stalks as thin as yarn" and driving through country rains, as "the green landscape smears across the windshield" for buffalo mozzarella and demijohns of sfuso--bulk wine kept fresh with a slick of olive oil on top. Mayes also ventures into the world of the locals, some "bent as a comma" and others throwing six-hour communion feasts where half a dozen cooks in a barn continually send out heaping platters of pasta with wild boar sauce, roasted lamb, and even the thigh of a giant cow--wrapping up the festivities with honeyed vin santo, grappa, and dancing to the accordion. Capturing the details that enrich the commonplace, in Bella Tuscany Mayes appears less like a visitor and more like someone discovering in Tuscany a real home and a real life. --Melissa Rossi --This text refers to the
Hardcover edition.

Amazon.com Audiobook Review
Following up on her bestselling novel, Under the Tuscan Sun, Frances Mayes returns to her beloved villa in the small hill town of Cortona, Italy. Welcomed back like an old friend, she is soon puttering in the garden, and as Mayes devotees might expect, busy in the kitchen as well. As Mayes rediscovers her taste for la dolce vita, she embarks on a journey of cultural awakening and embraces a newfound romance with the Italian language and people. "I came to Italy expecting adventure," reads Mayes. "What I never anticipated is the absolute sweet joy of everyday life."

Mayes is as generous a cook as she is a writer, flavoring her story with tasty descriptions of local gustatory delights--many of which are included in a small recipe book. She also serves as narrator, and the beguiling simplicity of her voice makes listening as enjoyable as spending an afternoon with a well-traveled favorite aunt. (Running time: 9 hours, 6 cassettes) --George Laney --This text refers to the Audio Cassette edition.

From Library Journal
After the best-selling Under a Tuscan Sun.
Copyright 1998 Reed Business Information, Inc.
--This text refers to the
Audio Cassette edition.

From AudioFile
Listening to this memoir brings to mind the word ABUNDANCE. The author, who also narates, relates tales of an Italian spring and summer with such love and effervescence that it's impossible not to appreciate the tomatoes stacked in the kitchen or the rainbow of roses on the terraces. At first, the listener may be caught off-guard by Mayes's lovely Southern accent, but it becomes an essential part of her enthusiastic personality. Mayes revels in the details of Tuscan life: the food (never listen to this when hungry), the wine, the gardens, the people… This audiobook is a patch of sunshine on a dark day-- curl up with it and soak in the warmth. L.B.F. © AudioFile 2001, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.

From Kirkus Reviews
Yes, la dolce vita, but only for some. In the nearly 40 years since Fellini's film first ushered the expression into our lexicon, said vita has been drained of all its original sardonic content, its biting irony, and its social criticism. This sequel to Mayes's bestselling Under the Tuscan Sun, about her second home and life reborn in Tuscany, doesn't preserve Fellinis spirit either, though her account is inevitably charming. Sometimes, too, a tad annoying. For the author does occasionally come off (along with her husband) as cantankerous or supremely unself-conscious. Not appreciating the cold spring rains in Tuscany, for instance, the lucky pair decides, on a whim, to fly to balmy Palermo; on arriving in a hotel room without a view of that city's justly famous palm trees, gli Americani just march down to the lobby and demand one. To the accidental Italophile tourist, gathering water at a scenic town's small fountain may appear a quaint and rustic practice yet for the ancient women who must daily fetch and carry large jugs of water balanced atop their heads, the habit is laborious and boring, alleviated only slightly by the prospect of gossip. Yet we are finally won over by Mayes. Who could fail to affirm this poets lush descriptions of the rolling Tuscan hills, with their timeless olive trees and patient oxen? Equally beautiful are Mayes's evocations of Italians as sincere and welcoming. She realizes that, despite their fame for sweets, the natives actually enjoy foods with a bitter taste or, as husband Ed remarks, they "seem to have acquired more tastes than many of us." Other factual tidbits include a survey of the etymology of the Sangiovese grapeused for Chianti, Brunello, and Vino Nobileas deriving from the "blood of Jove." Lovely, and no small consolation to anyone who's far from Tuscany. (Second serial to National Geographic Traveler; $175,000 ad/promo; author tour) -- Copyright ©1999, Kirkus Associates, LP. All rights reserved. --This text refers to the
Hardcover edition.

Review
"A love letter to Italy written in precise and passionate language of near poetic density...A book to treasure, as the author so clearly treasures the life she engraves on our hearts."
--Susan Jacoby, Newsday

"Fall in love again with the charming people and countryside of Cortona in this evocative follow-up to Under the Tuscan Sun."
--People

"Mayes displays a gift for conveying everyday life through her writing...Perfect for those with the yen but not the means for a second home...Mayes presents a simpler, less frantic version of how to live one's life."
--USA Today

"Frances Mayes is, before all else, a wonderful writer...She never loses sight of the fact that millenniums-old Tuscany, with its immemorial customs and folkways, is not to be domesticated or made familiar.  Her Italy remains intransigently foreign, exotic, a continuing revelation of strangeness and unexpected beauties."
--Chicago Tribune


Review
"A love letter to Italy written in precise and passionate language of near poetic density...A book to treasure, as the author so clearly treasures the life she engraves on our hearts."
--Susan Jacoby, Newsday

"Fall in love again with the charming people and countryside of Cortona in this evocative follow-up to Under the Tuscan Sun."
--People

"Mayes displays a gift for conveying everyday life through her writing...Perfect for those with the yen but not the means for a second home...Mayes presents a simpler, less frantic version of how to live one's life."
--USA Today

"Frances Mayes is, before all else, a wonderful writer...She never loses sight of the fact that millenniums-old Tuscany, with its immemorial customs and folkways, is not to be domesticated or made familiar.  Her Italy remains intransigently foreign, exotic, a continuing revelation of strangeness and unexpected beauties."
--Chicago Tribune


Book Description
Frances Mayes, whose enchanting #1 New York Times bestseller Under the Tuscan Sun made the world fall in love with Tuscany, invites us back for a delightful new season of friendship, festivity, and food, there and throughout Italy.

A companion volume to Under the Tuscan Sun, Bella Tuscany is Frances Mayes's passionate and lyrical account of her continuing love affair with Italy. Now truly at home there, Mayes writes of her deepening connection to the land, her flourishing friendships with local people, the joys of art, food, and wine, and the rewards and occasional heartbreaks of her villa's ongoing restoration. It is also a memoir of a season of change, and of renewed possibility. As spring becomes summer she revives her lush gardens, meets the challenges of learning a new language, tours regions from Sicily to the Veneto, and faces transitions in her family life.  Filled with recipes from her Tuscan kitchen and written in the sensuous and evocative prose that has become her hallmark, Bella Tuscany is a celebration of the sweet life in Italy.


Download Description
<P>Frances Mayes, whose enchanting #1 <I>New York Times</I> bestseller <I>Under the Tuscan Sun</I> made the world fall in love with Tuscany, invites us back for a delightful new season of friendship, festivity, and food, there and throughout Italy.</P><P>A companion volume to <I>Under the Tuscan Sun</I>, <I>Bella Tuscany</I> is Frances Mayes's passionate and lyrical account of her continuing love affair with Italy. Now truly at home there, Mayes writes of her deepening connection to the land, her flourishing friendships with local people, the joys of art, food, and wine, and the rewards and occasional heartbreaks of her villa's ongoing restoration. It is also a memoir of a season of change, and of renewed possibility. As spring becomes summer she revives her lush gardens, meets the challenges of learning a new language, tours regions from Sicily to the Veneto, and faces transitions in her family life. Filled with recipes from her Tuscan kitchen and written in the sensuous and evocative prose that has become her hallmark, <I>Bella Tuscany</I> is a celebration of the sweet life in Italy.</P><HR><P>"Tuscany may have found its own bard in Frances Mayes."<BR>&nbsp;&nbsp;&nbsp;<I>NEW YORK TIMES</I></P><P>"This beautifully written memoir about taking chances, living in Italy, loving a house, and always, the pleasures of food, would make a perfect gift for a loved one. But it's so delicious, read it first yourself."<BR>&nbsp;&nbsp;&nbsp;<I>USA TODAY</I></P><P>"So enchanting that an armchair traveler will find it hard to resist jumping out of the chair and following in her footsteps."<BR>&nbsp;&nbsp;&nbsp;<I>PUBLISHERS WEEKLY</I></P><P>"Graceful... at once joyful and full of common sense... as intimate as a lover's whisper, honest and true."<BR>&nbsp;&nbsp;&nbsp;<I>SAN FRANCISCO CHRONICLE BOOK REVIEW</I></P><HR> --This text refers to the
Digital edition.

Inside Flap Copy
Frances Mayes, whose enchanting #1 New York Times bestseller Under the Tuscan Sun made the world fall in love with Tuscany, invites us back for a delightful new season of friendship, festivity, and food, there and throughout Italy.

A companion volume to Under the Tuscan Sun, Bella Tuscany is Frances Mayes's passionate and lyrical account of her continuing love affair with Italy. Now truly at home there, Mayes writes of her deepening connection to the land, her flourishing friendships with local people, the joys of art, food, and wine, and the rewards and occasional heartbreaks of her villa's ongoing restoration. It is also a memoir of a season of change, and of renewed possibility. As spring becomes summer she revives her lush gardens, meets the challenges of learning a new language, tours regions from Sicily to the Veneto, and faces transitions in her family life.  Filled with recipes from her Tuscan kitchen and written in the sensuous and evocative prose that has become her hallmark, Bella Tuscany is a celebration of the sweet life in Italy.


From the Back Cover
"A love letter to Italy written in precise and passionate language of near poetic density...A book to treasure, as the author so clearly treasures the life she engraves on our hearts."
--Susan Jacoby, Newsday

"Fall in love again with the charming people and countryside of Cortona in this evocative follow-up to Under the Tuscan Sun."
--People

"Mayes displays a gift for conveying everyday life through her writing...Perfect for those with the yen but not the means for a second home...Mayes presents a simpler, less frantic version of how to live one's life."
--USA Today

"Frances Mayes is, before all else, a wonderful writer...She never loses sight of the fact that millenniums-old Tuscany, with its immemorial customs and folkways, is not to be domesticated or made familiar. Her Italy remains intransigently foreign, exotic, a continuing revelation of strangeness and unexpected beauties."
--Chicago Tribune


About the Author
Frances Mayes is author of Under the Tuscan Sun, an Italian memoir; The Discovery of Poetry, a text for readers; and five books of poetry, most recently Ex Voto. A frequent contributor to food and travel publications, she divides her time between Cortona, Italy, and San Francisco, where she is Professor of Creative Writing at San Francisco State University. She is currently at work on a novel.


Excerpt. © Reprinted by permission. All rights reserved.
Primavera

Fortunate that cypress shadows fall in wide bands across the sunlit road; fortunate that on the first day back in Cortona I see a carpenter carrying boards, his tabby cat balanced on his shoulders, tail straight up, riding like a surfer. The carpenter tosses the wood on sawhorses and begins to whistle. The cat bends and leans as he moves--a working cat. I watch for a few moments then walk on into town for a cappuccino. Thank you, I think. Fortunate that yellow blazes of forsythia light the hills. After seven summers on this terraced land, Ed and I feel a rush of happiness on turning the front-door key. I'm enchanted by the rounded Apennines, this quirky house that takes in the sun, and the daily rhythms of life in a Tuscan hilltown. He's far in love with the land. By now he knows the habits of every olive tree.

Fortunate. Otherwise, we might want to post a For Sale sign on the gate ten minutes after arrival because neither well pump is working: a grinding noise in the switch for the old well, a buzz for the new well. We peer into the cistern--at least there's enough water for a few days.

When the pump went down into the new well six years ago, I never expected to see it again. Now, on our first morning, three plumbers are hauling up ropes, their heads down the well. It's a beast. Then Giacomo stands on the well wall, the others beside him. They're counting, uno, due, tre, giving the heave-ho. Soon they're stripped to their pants, cursing and laughing. Up it comes, and Giacomo almost falls backward. They carry it to the truck.

The old well's pump--replaced just last year--they yank out easily. The contraption comes up with fig roots dangling and is pronounced dead on arrival. Why? They begin to dig for wires. By noon, the walkway is torn up, the lawn is carved into ditches and the mystery is solved. Mice have eaten the insulation around the wires. Why would they eat plastic when they can eat hazelnuts and almonds? The pumps have shorted out.

The new well's pump, it turns out, is also dead. Fizzled. Kaput. By the third day, we have new pumps, new wires sealed with silicone, which the original electrician neglected to do, lots of water, a patched walkway, and a depleted bank account. If mice eat plastic, what's to keep them from eating silicone?

Fortunate that we are served pheasant with roasted potatoes for dinner at the trattoria up the mountain, and that the early March dark spills forth a million twirling stars, because otherwise Ed's scrawled list might seem daunting: new grass, prune trees, build a shed for tools, remodel two old bathrooms, new septic system, paint shutters, buy desk and something with space to hang clothes, plant trees, extend garden.



Primo Bianchi, a stonemason who has done extensive work here during our restoration, arrives to discuss the projects. He can start in July. "I was on your roof in January," he tells us. "Your friend Donatella called and said there was a leak." We've seen the dripping stain on the yellow wall of my study. "It was the wind. You lost some tiles. When I was working in the afternoon, the wind came again and blew down my ladder."

"Oh, no!"

He laughs, pointing both forefingers at the ground, that gesture meaning Let it not happen here. Dark comes early in winter. I imagine him, his back against the chimney, sitting on the cold tiles, his pale blue eyes squinting at the road below, the wind standing his hair on end. "I waited. No one came by. Then a car but he did not hear me. After perhaps two hours a woman walked by and I called for help. This house was empty so long--she thought I was a spirit and let out a scream when she saw me waving on the roof. You need to think of a new roof soon."

He walks off a measurement of pipes we'll need for the new drainage system. It looks like a plan for trench warfare. "Hurry and order the furnishings for the bathrooms if you want everything here by July."

Fortunate that the place is restored--central heating, new doors, finished kitchen, one lovely bath, refinished beams, barrels of new paint, rebuilt stone walls, refitted cantina for oil and wine. Otherwise, these new projects might seem like restoration itself. "You may think you're through with old houses," Primo tells us, "but they are never through with you."

Soft spring air, an elixir of joy simply to breathe in and out. Quick streams are opening on the terraces. I take off my shoes and let the cold, cold water bathe my feet. The rocky hillsides sprout ferns, glossy green. A new lizard runs across my toes and I feel the clutch of the tiny feet.



Primavera, first green, and the wet grasses shine. A European spring, my first. I only have read of Proust's chestnuts flowering, Nabokov's linden lanes, Colette's double-red violets. But no one ever told me about quince, their sudden pink flares against stone walls. No one said the spring winds can turn murderous. No one mentioned lilac, and somehow during my summers in Italy, I never noticed the heart-shaped leaves. Now I see the Tuscan hills spattered with enormous white or smoky-lavender bushes. Near our house, a hedge of lilac leads to an abandoned farm, and in the rain I cut wet armfuls to fill all my pitchers and vases. More than any flower, the mesmerizing perfume seems to be the very scent of memory, hauling me back to college in Virginia and my first breath of lilac, which didn't grow in the warm latitude of my childhood home in Georgia. I remember thinking, How could I have lived eighteen years without knowing this? I had a terrible crush on my philosophy professor, married with three children, and over and over I played Harry Bellafonte, Green grow the lilacs all sparkling with dew. My dorm window overlooked the James River through a tangle of brush. Springtime is here and it's here without you. That my professor wore drip-dry shirts I crassly blamed on his wife; that he combed a long strand of hair over his pate I tried to ignore.

Violets, the suffocatingly sweet-scented ones, bloom along the spontaneous springs. Naturalized double daffodils, tromboni in Italian, mass along the terrace edges. The faint mists of hawthorn (biancospino, white thorn, or, locally, topospino, mouse-pricker) drift along the upper terraces and, below, the fruit trees continue to outdo themselves. We won't mow--the luxurious grass is overtaken by white camomile and marguerites.

What is this happiness that keeps coming in waves? Time, the gift of time, the free running of time--and Italy owns so much of it. Being from the South, I'm used to people talking about The War Between the States as though it were a decade ago. In the South the long dead and buried are talked about, too. Sometimes I thought Mother Mayes would come walking in the door again, bringing back her powdery lavender scent, her spongy body I could feel beneath the voile print dress. Here, it's Hannibal. Hannibal, who passed this way and fought the Roman Flaminio in 217 B.C.  All the hilltowns celebrate jousts or weddings or battles which occurred hundreds of years ago. Maybe having so much time behind them contributes to the different sense I absorb in Italy. Gradually, I fall into time. At home in California, I operate against time. My agenda, stuffed with notes and business cards, is always with me, each day scribbled with appointments. Sometimes when I look at the week coming up, I know that I simply have to walk through it. To be that booked-up, blocked-in feels depleting. When I make the weekly list of what needs to be accomplished, I know I'll be running double-time to catch up. I don't have time to see my friends and sometimes when I do, I'm hoping to cut it short because I need to get back to work. I read about an American doctor who pumps her breasts in freeway traffic so she can continue to breast-feed her baby and still keep up with her medical practice. An ad in The Wall Street Journal offered engagement rings by telephone for couples who don't have time to shop. Am I that bad?

Sabbatical, what a civilized idea. All jobs should have them. This year both Ed and I have this blessed time-out, which, combined with summer vacation, gives us the chance to spend six months in Italy. Since this is my first leave in twenty years of teaching, I want to bask in every day. To wake up--without having to go anywhere--and wander the terraces to see what is coming into bloom seems like paradiso. Soon the wild irises will open. Their pointy, bruise-blue heads seem to push up taller as I watch. Narcissi, just on the verge of glory, run rampant. Already, yellow light emanates from the buds.

I am, every day, shocked by something new and shocked that this house and land, which I thought I knew from my summers and Decembers, continue to astound me. We stepped off the plane in Florence on March 15 to seventy-degree weather and it has held, except for occasional blasts of wind. Now, the pears are turning from flower to leaf. As white petals drop or flurry--I remember hearing "peach-blow" as a child--new leaves shoot out with force. That energy has swollen the limbs of all the old fig trees and the branches of the spindly pomegranate we have just planted.

Happiness? The color of it must be spring green, impossible to describe until I see a just-hatched lizard sunning on a stone. That color, the glowing green lizard skin, repeats in every new leaf. "The force that through the green fuse drives the flower . . ." Dylan Thomas wrote. "Fuse" and "force" are excellent word choices--the regenerative power of nature explodes in every weed, stalk, branch. Working in the mild sun, I feel the green fuse of my body, too. Surges of energy, kaleidoscopic sunlight through the leaves, the soft breeze that makes me want to say the word "zephyr"--this mindless simplicity can be called happiness.



A momentous change has occurred at ...


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